Press Quotes
AROUND THE WORLD IN 80 DAYS
“Pure, unadulterated magic … utterly beguiling … a high-spirited, imagination-filled escapade … Laura Eason’s exceptionally graceful adaptation of the Jules Verne classic … manages to be both wise and fun-filled … it lays its bets on enchantment and invariably comes up a winner … a show that should sail the world. Highly recommended.” —Chicago Sun-Times
“Light, cheerful and greatly entertaining … laudably committed to its theatricality … Eason’s staging is full of the visual imagination … It’s all a great deal of fun.” —Chicago Tribune
“An engaging, family-friendly show. Highly recommended.” —The Chicago Reader
“Eason’s affable adaptation plays up elements of Verne’s novel that are sometimes forgotten … Eason moves stylishly from set piece to set piece, from the cuckoo-clock orchestration of Fogg’s London life to teacups sliding across a shipboard table.” —Time Out Chicago
“A rollicking trek … Phileas Fogg, the imperturbable hero of AROUND THE WORLD IN 80 DAYS, has returned to New York … Never journeyed with Fogg? Allow me. He is a London bachelor of independent means so regular in his habits that he fires a manservant for serving him a cup of tea at the wrong temperature. One day, at his club, Fogg wagers 20,000 pounds that a man can now make it around the world in 80 days and sets off that same night, with his new valet Passepartout, a former tightrope walker, in baffled tow. Traveling by train, boat and sledge, rescuing a plucky Indian widow along the way, he treats time zones like his own personal hopscotch court … How exhilarating it must have been, in an era before discount cruises and air travel, when most readers would count themselves lucky to journey a town or two away. How thrilling is it now? Still pretty thrilling.” —Alexis Soloski, The New York Times
DR JEKYLL & MR HYDE
“The battle of good vs. evil has rarely been so entertaining.” —John Staton, Star News
“As a piece of theatre, it is fascinating, invigorating and challenging to the deepest parts of our very sense of self.” —Gwenyfar Rohler, Encore Magazine
“This is my favorite kind of theater — physical, inventive, ingenious and funny. Burt Grinstead and Anna Stromberg’s comedic adaptation of Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr Hyde is theatrical catnip — you just can’t get enough of it.” —Jacquelyn Claire, StageBiz.com
“If you are a fan of the book (you know which book I mean) then this is the comedy you’ve been waiting for. Two madcap theater artists have come up with an 80-minute retelling of the horrors unleashed by imprudent, self-indulgent science that leads to murderous, anti-social schizophrenia. All done with wit and style that had me laughing from the opening minutes to the very end.” —Larry Littany Litt, NYTheatre-Wire.com
“As playwrights, they have also infused the story with contemporary relevance: heightening the social commentary and playing up the frustrations associated with Victorian era repression by providing Jekyll with a feminist love interest. It all works to tell a tale that is at once familiar and completely fresh.” —Cathy Hammer, TheUnforgettableLine.com
PRIDE AND PREJUDICE
“Stunning … Hilarious.” —Gina Jun, DC Metro Theater Arts
“While respectful of Austen, [Baker] does not aim for mere imitation or by-the-numbers re-creation; the dialogue sounds authentic and natural. This is, above all, an entertaining work of theater … Most impressive, perhaps, is how Baker does all of this without making it feel forced. Even though we know right from the get-go that ever-so-independent-minded Elizabeth Bennet and haughty Mr. Darcy will eventually overcome their initial dislike for each other, their journey remains intriguing, each bump in the road delivering sufficient jolt, with the final destination delivering a true emotional payoff. Note, too, the abundant humor. This PRIDE AND PREJUDICE gets a good deal of amusing mileage from Austen’s deft targeting of stuffiness, hypocrisy and social machinations — traits all too prevalent in our day, too, as you might have noticed.” —Tim Smith, Baltimore Sun
“The story has been seamlessly tightened without losing the essence that has enchanted generations of Austenites through multiple interpretations.” —Tina Saratsiotis, Broadway World
“Jane Austen fans may demurely balk at the liberties taken in Christopher Baker’s adaptation (where the hell is Kitty, some might quibble), but … the adaptation [has] a pleasing cinematic quality, where both the dialogue and the action move swiftly along … Baker’s subtle shift from Elizabeth and Darcy’s love match to Mrs. Bennet’s public quest for security for her daughters is an intriguing one. Austen fans, do not despair — the wicked banter and undeniable chemistry between Elizabeth and Darcy is still very much front and center … Austen’s pointed and feathery commentary on society’s social climbers, schemers, hypocrites and stuffed shirts is there as well. However, there is a sharp emphasis on marriage as commerce.” —Jayne Blanchard, DC Theater Scene