Morticians in Love

Press Quotes

“In the midst of death, there is life and love — sacred, profane, unrequited and almost always dysfunctional — in Christi Stewart-Brown’s very black, five-character comedy (counting two corpses). Scarcely fare for the squeamish, with its excursions into heterosexual and homosexual couplings among the living and dead, the play … nonetheless comes off as a caustic, funny, sharp-eyed and skillfully performed autopsy on the difficulties of love … MORTICIANS IN LOVE may be morbid, but it has a heart.” —Lawrence van Gelder, The New York Times

“… a morbid, pervy, and very funny farce … Sure, it’s strange, but strangely touching too.” —Joe Brown, The Washington Post

“What relationship is more tender and romantic than the one between a shy, sensitive female mortuary owner and a handsome, buffed, naked corpse? Christi Stewart-Brown’s charmingly morbid comedy is so cheerful and upbeat, you’ll hardly believe that you’re watching a play about bisexual necrophilia.” —Paul Birchall, Back Stage West

“I would like to add two names to my (rather short) list of favorite people. One is Christi Stewart-Brown, an East Coast playwright whose works include THREE MORE SISTERS, STEAK! THE MUSICAL, DO NOT USE IF SEAL IS BROKEN, and now MORTICIANS IN LOVE. She should make it on the strength of the names of her plays — the fact that she’s a brilliant wordsmith only solidifies her place there … MORTICIANS is a simple enough idea: the tender story of first love between two devout necrophiliacs. Now, the idea itself gets a laugh, but what’s a pleasure is that Stewart-Brown follows through and creates characters, dialogue, and stagings that are a real joy to watch. It’s so depressing to see ingenious ideas or plots wasted by paper-thin characters, or to watch great characters ruined by dumb dialogue. MORTICIANS scores on all counts, following up a great idea with solid writing.” —Matthew Richter, The Stranger (Seattle)

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