Sonnets for an Old Century
Price range: $15.00 through $15.95
Description
SONNETS FOR AN OLD CENTURY examines what it means to be alive at this particular time and place and what traces each of us will leave behind. In a series of exquisitely written monologues, using dance and live music, SONNETS captures the subtle, often overlooked treasures of everyday life.
Production Info
Full Length Drama (about 100 minutes)
Minimal Set Requirements
Contemporary Costumes
Press Quotes
“Now we have a SPOON RIVER ANTHOLOGY to call our own, a work whose scope and insights begin to suggest an OUR TOWN for our generation. The only question left involves what we do with the information. It is a fearsome enough thing. Its name is SONNETS FOR AN OLD CENTURY. Much as Edgar Masters did nearly ninety years before — with a much larger sample from a much smaller town — playwright Jose Rivera gives eighteen characters from present-day Los Angeles and environs one final chance in this collection of dramatic monologues to speak their peace about their lives, apparently from just the other side of the grave.” —Byron Woods, The Independent
“Could you tell your life story In the space of a moment, the length of a sonnet? Playwright Jose Rivera attempts to answer that question for sixteen different individuals in a moving yet amazingly unencumbered play he has titled SONNETS FOR AN OLD CENTURY. In a moment somewhere between life and afterlife, these individuals are assembled. One man, who has been waiting for them, tells them that they have one final chance to tell their stories, and that their words will go out to the universe. This is a deceptively simple work. Yet it builds in its intensity as each storyteller brings his or her own story to life. These are people that we would meet on the street; they are ordinary souls. But their stories are not. They focus power center-stage with their individual stories and what they learned from them. There is not a plot here; there are sixteen individual plots. And each story, small as it might be in and of itself, fills the space, and our ears and our minds, with feeling; joy, fear, rage, love, sorrow; and makes each one expand to fill this void. We as listeners are forced to face these ravaging emotions, even as we contemplate the death of the storyteller. This work is simple, and simply potent in its impact. And while it seems to do without the trappings of stagework, set, plot, scenes, etc, it is powerfully theatrical.” —Alan R Hall, Front Row Center
Author
José RiveraJosé Rivera’s full-length plays have been seen nationally and internationally and translated into a dozen languages. Obie Award–winners MARISOL And REFERENCES TO SALVADOR DALI MAKE ME HOT, both produced by The Public Theatre, NY, are taught around the country, as well as his essay “36 Assumptions about Playwriting." World premieres include THE HOUSE OF RAMON IGLESIA (Ensemble Studio Theatre), THE PROMISE (Los Angeles Theatre Center), EACH DAY DIES WITH SLEEP (Circle Rep/Berkeley Rep), CLOUD TECTONICS (Humana Festival at the Actors Theatre of Louisville), MARICELA DE LA LUZ LIGHTS THE WORLD (La Jolla Playhouse), GIANTS HAVE US IN THEIR BOOKS (Magic Theatre), SUEÑO (Hartford Stage Company), SONNETS FOR AN OLD CENTURY (Greenway Arts Alliance), BOLEROS FOR THE DISENCHANTED (Yale Rep), SCHOOL OF THE AMERICAS (Public Theatre), MASSACRE (SING TO YOUR CHILDREN) (Goodman Theatre), BRAINPEOPLE (ACT/San Francisco), ADORATION OF THE OLD WOMAN (La Jolla Playhouse), ANOTHER WORD FOR BEAUTY (Goodman Theatre), THE MAIDS (INTAR), THE KISS OF THE SPIDERWOMAN (Menier Chocolate Factory, London), THE LOVESONG (IMPERFECT) (14th Street Y, directed by the author), YOUR NAME MEANS DREAM (Contemporary American Theatre Festival, directed by the author), THE HOURS ARE FEMININE (INTAR, directed by the author, winner 2024 HOLA Best Production Award). His latest play A LUNAR RHAPSODY was workshopped at Duke U., Northwestern U., DePauw U., and Santa Fe Playhouse, each co-directed (with Sara Koviak) by the author. The screenplay for Rivera’s first produced movie, “The Motorcycle Diaries” (Walter Salles, director) was nominated for 2005 Best Adapted Screenplay Oscar — making Rivera the first Puerto Rican writer so honored. Other honors include a BAFTA, a Writers Guild Award, a Goya Award (Spain), and Argentina’s top screenwriting prize. His film “On the Road” (Francis Ford Coppola, producer, Walter Salles, director) premiered at the 2012 Cannes Film Festival and “Trade” (Lionsgate Pictures) was the first film to premiere at the United Nations. Other films include “The 33” and “Letters to Juliet.” Rivera co-created and produced “Eerie, Indiana,” (NBC) and was a consultant and staff writer on “Penny Dreadful: City of Angels” (Showtime) 2019. Rivera wrote and directed the award-winning short films “The Fall of a Sparrow” and “The Civet,” seen at film festivals around the country. Rivera is a recipient of a Fulbright Arts Fellowship, a Whiting Foundation Award, a McKnight Fellowship, a 2005 Impact Award, and was a playwright-in-residence at the Royal Court Theatre, London. In 1989 he studied with Gabriel García Márquez at the Sundance Institute. He has served on the boards of PEN West, TCG, and Sundance, was a Creative Advisor at Sundance Screenwriting Labs in Utah, Jordan, and India, and currently teaches writing at HB Studio, New York. Most recently, he was head writer and executive producer of the Netflix series based on One Hundred Years of Solitude (winner “Best Series,” 2025 Premios Platino), which the London Telegraph called “a spellbinding adaptation of an unfilmable novel.”
Book Information
| Publisher | BPPI |
|---|---|
| Publication Date | 9/1/2005 |
| Pages | 80 |
| ISBN | 9780881452525 |
Special Notes
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypublishing.com