• My Account
  • Quick Order
  • Cart
  • Checkout
 
  • Home
  • Blog
  • Clients

 
  • Home
  • The Plays
    • The Plays
    • Not Yet Published
    • Newly Published
    • Bestsellers
    • Classics
    • Collections
    • Bundles
    • Catalog
  • Performance Rights
    • Restrictions
    • Payments
    • Performance Rights
    • Upcoming Productions
  • Authors
  • FAQs
    • FAQs
    • Shipping Info
    • Refund Policy
    • Privacy Policy
    • Submissions
    • Wholesale Customers
    • Desk Copies
  • Blog
  • About Us
    • About Us
    • Contact Us
Menu
  • Home
  • The Plays
    • The Plays
    • Not Yet Published
    • Newly Published
    • Bestsellers
    • Classics
    • Collections
    • Bundles
    • Catalog
  • Performance Rights
    • Restrictions
    • Payments
    • Performance Rights
    • Upcoming Productions
  • Authors
  • FAQs
    • FAQs
    • Shipping Info
    • Refund Policy
    • Privacy Policy
    • Submissions
    • Wholesale Customers
    • Desk Copies
  • Blog
  • About Us
    • About Us
    • Contact Us
 

  • Home
  • The Plays
    • The Plays
    • Not Yet Published
    • Newly Published
    • Bestsellers
    • Classics
    • Collections
    • Bundles
    • Catalog
  • Performance Rights
    • Restrictions
    • Payments
    • Performance Rights
    • Upcoming Productions
  • Authors
  • FAQs
    • FAQs
    • Shipping Info
    • Refund Policy
    • Privacy Policy
    • Submissions
    • Wholesale Customers
    • Desk Copies
  • Blog
  • About Us
    • About Us
    • Contact Us
 
  • Home
  • >
  • The Plays
  • >
  • Tartuffe

    Tartuffe

    Molière, adapted by Constance Congdon from a literal prose translation by Virginia Scott
    Acting Edition$11.95
    ePlay$15.00 + $10.00 per additional user
    Performance Rights

    Note

    This title may also be purchased in the following bundle at 20% off the regular price: MOLIÈRE MASTER CLASS

    Play Description

    Constance Congdon’s witty verse adaptation of Molière’s timeless classic, in which a religious conman infiltrates the household of a gullible man and his exasperated family, has lent itself to productions set in modern-day Texas, New Orleans, and even The Sopranos’ New Jersey.

    Production Info

    Cast: 12 total (5 female, 7 male)
    Full Length Drama (about 110 minutes)
    Single Set
    Contemporary Costumes
    Categories: The Plays, Classics Tags: French, 17th Century
    • Reviews
    • About the Author(s)
    • About the Book
    • Special Notes
    • Productions

    Press Quotes

    “Constance Congdon slips into Molière’s tricky shoes and the fit is Cinderella-perfect. Congdon’s quicksilver wit and breathless urgency coax the dark heart of Tartuffe into glowing with a twenty-first-century heat.” —John Guare

    “[The] over-the-top setting for the Two River Theater production of TARTUFFE is a Texas McMansion decorated like a Disney theme park. A spiraling two-story staircase, its iron railing featuring a recurring motif of a lone star nestled in a spur, dominates the space. The sitting area below, done in high Louis-the-Something, has a damask sofa with silver Texas Ranger badges adorning its skirt and pony skin pillows propped in its corners. Looming above the stairwell, a huge cross, operated by remote control, awaits illumination. Eat your heart out, J. R. The director Jane Page has taken Constance Congdon’s new rhymed version of Molière’s 1664 satire, based on a translation by Virginia Scott, and plopped it down in Texas (somewhere near a Neiman Marcus, as the shopping bags attest) circa 2006. The conceit works wonderfully, with each of the playwright’s comically charged characters slipping naturally into twang and two-step … It all adds up to a fun-filled Texas-style branding, skewering and roasting of a villain everyone loves to hate. ” —Naomi Siegel, New York Times

    Author(s)

    • Molière

      Jean-Baptiste Poquelin (1622 – 1673), known as Molière, was a French dramatist, director, and actor, and one of the world's greatest masters of comic satire. Of his nearly 40 plays, his most famous are TARTUFFE, THE MISER, THE LEARNED LADIES, THE MISANTHROPE, and THE IMAGINARY INVALID.

    • Constance Congdon

      Constance Congdon has been called "one of the best playwrights our country and our language has ever produced" by playwright Tony Kushner in Kushner's introduction to her collection TALES OF THE LOST FORMICANS AND OTHER PLAYS. In addition to TALES OF THE LOST FORMICANS, which has had more than 200 productions worldwide, Congdon's plays include: CASANOVA, DOG OPERA, NO MERCY, LOSING FATHER'S BODY, LIPS and NATIVE AMERICAN. PARADISE STREET, was produced in Los Angeles and Amherst. Three commissions from the American Conservatory Theater: A MOTHER, starring Olympia Dukakis, a new verse version of THE MISANTHROPE, and a new adaptation of THE IMAGINARY INVALID, were all produced by ACT. Also at ACT: MOONTEL SIX, a commission by the ACT Young Conservatory and subsequently performed at London's National Theatre, followed by another production of the two-act version at San Francisco's ZEUM. THE AUTOMATA PIETÀ, another YC commission, received its world premiere at San Francisco's Magic Theatre in 2002; NIGHTINGALES went to the Theatre Royale Bath's Youth Theatre. Congdon's NO MERCY, and its companion piece, ONE DAY EARLIER, were part of the 2000 season devoted to Congdon at the Profile Theatre. She has written a number of opera libretti and seven plays for the Children's Theatre Company of Minneapolis. THE CHILDREN OF THE ELVI, Congdon's epic and NOT suitable for children, play received its premiere at the Key City Public Theater in 2007. Congdon's plays have been produced throughout the world, including Cairo, Tokyo and Berlin. Her new verse version of TARTUFFE is in a single-volume Norton Critical edition and in the Norton Anthology of Drama. In 2013, Congdon was the Honored Playwright at the GPTC and had a fully-staged workshop of her play about the water crisis in the West, TAKE ME TO THE RIVER. Her recent play HAIR OF THE DOG is about Shakespeare and Marlowe. Her most recent play, ENEMY SKY, is about drones, Islamaphobia, and late-in-life love. Congdon has received three NEA grants, two Rockefeller grants (one for Bellagio), an Albert Sloan grants for TAKE ME TO THE RIVER, The Berilla Kerr Award, Helen Merrill Award, The Albert Weissberger Award, New York Newsday's Oppenheimer Award for Best New Play in NYC, New England Theater Conference Award for Distinguished Service to the Theater (2004), two Great Plains Theater Conference Awards, one for Distinguished Service to the Theater and the other as the 2013 Honored Playwright. She is an alumnus of New Dramatists, The Playwright's Center of Minneapolis, and a current member of The Dramatists Guild and PEN. Congdon has taught playwriting at the Yale School of Drama, but her home is as playwright-in-residence at Amherst College where she has taught playwriting for 25 years. Her work is published by Norton, TCG, Inc, but mostly by Broadway Play Publishing.

    • Virginia Scott

      Virginia Scott was Professor Emerita of Theatre at the University of Massachusetts at Amherst. She was a leading authority on early French and Italian theatre, whose books include The Commedia dell'Arte in Paris, Moliere: A Theatrical Life, and the award-winning Women on Staqe in Early Modern France. She was also noted for her translation of Moliere's plays, as well as a critical edition of Tartuffe. She was an experienced dramaturg and had written plays on such historical subjects as Joan of Arc and Marie Antoinette's hair-dresser.

    Book Information

    Publisher BPPI
    Publication Date 2/28/2014
    Pages 86
    ISBN 9780881453690

    Special Notes

    If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:

    In addition, the following must appear within all programs distributed in connection with performances of the Play:

    Tartuffe is produced
    by special arrangement with Broadway Play Publishing Inc, NYC
    www.broadwayplaypublishing.com

    Upcoming and Recent Productions

    Nonprofessional


    3/17/2023 – 3/25/2023
    Temple University Department Of Theater
    Philadelphia, PA

    9/16/2020 – 9/19/2020
    Adrian College
    Adrian, MI

    11/14/2019 – 11/23/2019
    Bellingham High School Drama
    Bellingham, WA

    11/8/2019 – 11/23/2019
    Miller Theatre Complex, Robinson Theatre
    Eugene, OR

    2/15/2019 – 2/24/2019
    Wake Forest University Theatre
    Winston-Salem, NC

    8/23/2018 – 8/25/2018
    University Of Nebraska At Omaha
    Omaha, NE

    2/15/2018 – 2/18/2018
    Concordia College Theater
    Moorhead, MN

    11/29/2017 – 12/3/2017
    Division Of Theatre/southern Methodist University
    Dallas, TX

    10/13/2017 – 10/15/2017
    Simpson College Theater
    Indianola, IA

    3/16/2016 – 3/22/2016
    American University In Cairo Theater Program, Department Of The Arts
    Cairo, Egypt

    Related Plays

    $15.00–$15.95
    The Living
    Anthony Clarvoe
    $15.00–$15.95

    Play Description

    In 1665 the plague brought London to its knees. THE LIVING concerns Londoners who have remained in the city as they struggle to find meaning in the midst of such a catastrophic epidemic.

    Production Info

    Cast: 10 total (2 female, 8 male)
    Full Length Drama (about 120 minutes)
    Minimal Set Requirements
    Period Costumes
    $11.95–$15.00
    The Illusion
    Tony Kushner, freely adapted from Pierre Corneille's L'ILLUSION COMIQUE
    $11.95–$15.00

    Play Description

    A lawyer, facing mortality, desperate to find the son he drove away years before, travels in the dead of night to a mysterious cave. There he engages the services of a wizard, who conjures up visions of the romantic, adventurous, perilous life the lawyer’s son has been living since his father expelled him from home. THE ILLUSION, freely adapted from Pierre Corneille’s L’ILLUSION COMIQUE, is Kushner’s most joyfully theatrical play, a wildly entertaining tale of passion and regret, of love, disillusionment and magic.

    Production Info

    Cast: 8 total (2 female, 6 male)
    Full Length Drama (about 90 minutes)
    Single Set
    Period Costumes
    $15.00–$15.95
    The Loser
    Georges Feydeau, translated by Laurence Senelick
    $15.00–$15.95

    Play Description

    Pontagnac, an inveterate womanizer, follows Lucienne to her house and makes advances. When her husband appears, who is none other than Vatelin, one of Pontagnac’s friends, the kerfuffle is soon settled between them as Vatelin, knowing Pontagnac, forgives him. But an unforeseen event sows discord: Liesl, who had been Vatelin’s mistress in Vienna, arrives at his house. Pontagnac takes this opportunity to tell Lucienne that her husband is cheating on her and gives her proof that Vatelin has a date in a hotel room with Liesl. Meanwhile, earnest Redillon, Lucienne’s friend, also declares his love for her. What is Lucienne to do? From there Feydeau’s intricate plot catches you up in a whirlwind of amorous and vengeful hilarity that ends with — you may conclude — everyone getting just what they deserve.

    Production Info

    Cast: 17 total (6 female, 11 male, doubling possible, female and male bit parts)
    Full Length Comedy (about 180 minutes)
    Multiple Sets
    Period Costumes
    $15.00–$15.95
    Around the World in 80 Days
    Jules Verne, adapted by Laura Eason
    $15.00–$15.95

    Play Description

    Jules Verne's classic adventure tale is reimagined for the stage in this enchanting adaptation.

    Production Info

    Cast: 8 total (2 female, 6 male)
    Full Length Drama (about 100 minutes)
    Minimal Set Requirements
    Period Costumes
    $15.00–$19.95
    The Lady from Maxim’s
    Georges Feydeau, translated by Laurence Senelick
    $15.00–$19.95

    Play Description

    Often described as Feydeau's masterpiece, THE LADY FROM MAXIM'S charts the trials and tribulations of a certain proper Doctor Petypon who wakes up with a hangover only to find in his bed “The Shrimp,” a dancer at the Moulin Rouge and lady of the night. The Shrimp finds the doctor's lifestyle quite appealing and decides to hang around in spite of the appearance of the doctor's devoutly religious wife, which launches into motion the kinds of farcical twists and turns of deceit and the threats of imminent discovery that no author has ever accomplished with more expertise, panache, and hilarity than Feydeau.

    Production Info

    Cast: 28 total (11 female, 17 male, doubling possible, extras)
    Full Length Comedy (about 180 minutes)
    Minimal Set Requirements
    Period Costumes
    $11.95–$15.00
    A Flea in Her Ear
    Georges Feydeau, translated by Kenneth McLeish
    $11.95–$15.00

    Play Description

    This classic French farce was written in 1907. It is, perhaps, Feydeau’s best known play, and its intricate choreography draws together two classic farce plots — that of the suspicious wife who sets a trap to expose her faithless partner, and the venerable comic device of mistaken identity.

    Production Info

    Cast: 14 total (5 female, 9 male)
    Full Length Comedy (about 200 minutes)
    Multiple Sets
    Period Costumes
    The Awful Tooth
    Georges Feydeau, translated from the French by Laurence Senelick

    Play Description

    THE AWFUL TOOTH was the last new play of Feydeau to be produced in his lifetime, and its dentist’s chair offers a dose of sadistic hilarity. As translator Laurence Senelick notes, “Feydeau may be to dentists what Molière was to doctors.”

    Production Info

    Cast: 9 total (3 female, 6 male)
    Short Comedy (about 45 minutes)
    Single Set
    Period Costumes
    $15.00–$15.95
    The Pests
    Molière, translated and slightly abridged and adapted by Felicia Londré
    $15.00–$15.95

    Play Description

    Molière’s deliciously trifling comedy in a garden setting won the favor of the Sun King in 1661 and set his course to become the most-produced comic writer in the history of theatre. This neglected classic marked Molière’s first mingling of sparkling verse dialogue and dance numbers. While written for a courtly audience, the play dared to mock recognizable personalities and their obnoxious eccentricities. For modern audiences, the human foibles still look familiar and very funny. Desperately in love with the coquettish Orphise, Eraste tries to maintain his aristocratic composure as one obnoxious person after another interrupts his pursuit. Can he appreciate Lysandre’s self-taught, self-proclaimed genius as a singer and dancer? Will he defy the king’s ban on dueling to serve as second for a friend who took offense at another’s unfortunate word choice? Can he follow the card player’s compulsion to recount every move? Or the hunter’s venting about horse and hounds? How can he politely put a stop to the scholar’s torrent of verbiage? Or the financial wheeler-dealer’s spiel? Will Orphise let him explain about the two women smothering him with their theorizing about lovers? In counterpoint to the swatting of pests, three dance interludes allow the company’s creativity to go wild. And there’s a fight scene. Of course, Eraste gets the girl in the end.

    Production Info

    Cast: 15 total (4 female, 11 male, 2 nonspeaking parts)
    Full Length Comedy (about 85 minutes)
    Minimal Set Requirements
    Period Costumes
    $15.00–$15.95
    Danton’s Death
    Georg Büchner, adapted by Robert Auletta
    $15.00–$15.95

    Play Description

    Set during the French Revolution's Reign of Terror, the play takes place from March 24 to April 4, 1794, when Maximilien Robespierre was in charge of the Committee of Public Safety that, along with the Revolutionary Tribunal, condemned people to the guillotine. Guillotine victims ranged from those who were seen as too radical to those who were viewed as royalist sympathizers and even simply moderates like Danton.

    Production Info

    Cast: 26 total (8 female, 18 male)
    Full Length Drama (about 100 minutes)
    Minimal Set Requirements
    Period Costumes
    $15.00–$15.95
    Me, Me, Me
    Eugène Labiche and Èdouard Martin, translated by Laurence Senelick
    $15.00–$15.95

    Play Description

    A sardonic comedy about Dutrecy, a man of the most unbridled selfishness, who arranges his life to provide himself maximum comfort. With a similar friend De la Porcheraie he hopes to acquire land where a new street is to be built, cheating the owner before news gets out. He also intends to marry his teen-aged niece Therese in hopes she'll be his nurse in his old age. Meanwhile his nephew Armand has saved the banker's son Georges; bosom friends, each assumes the other loves Therese. Eventually, everything works out to the satisfaction of the young people and the discomfiture of Dutrecy.

    Production Info

    Cast: 11 total (2 female, 9 male)
    Full Length Comedy (about 120 minutes)
    Minimal Set Requirements
    Period Costumes
    $15.00
    George and Frederic
    Ruth Wolff
    $15.00

    Play Description

    A Play with Music — the music of Frederic Chopin. George Sand had many lovers — but the one to whom she was most attached, and who almost ruined her life, was Frederic Chopin. His illness and dependency, the rivalries of two artists living under the same roof, the conflicting demands of two careers, all these batter the relationship. But most damaging is what the affair does to her family. Sand is hailed as an icon of female liberation. In GEORGE AND FREDERIC we see what can be the consequences of that liberation. Her rebellious daughter, Solange, embraces the tenets of feminism as an excuse for wild behavior, eventually causing the final rift between her mother and her mother’s lover. To assert his own creativity in this maelstrom, Maurice, George’s doting and doted-upon son, creates puppets of each member of this explosive ménage, puppets who, throughout the play, comment wryly on all the heated goings-on with humor, irony, and wit.

    Production Info

    Cast: 6 total (2 female, 4 male)
    Full Length Drama (about 125 minutes)
    Minimal Set Requirements
    Period Costumes
    Potty Favors
    Georges Feydeau, translated from the French by Laurence Senelick

    Play Description

    Inspired by Feydeau’s wife’s obsession with giving the children laxatives, especially his eldest son, Jacques, every character is despicable for their moral cowardice and egoism, providing a hopeless (but hilarious) environment for child-rearing.

    Production Info

    Cast: 7 total (3 female, 4 male, 1 child)
    Short Comedy (about 50 minutes)
    Single Set
    Period Costumes

    Contact Info

    BROADWAY PLAY PUBLISHING INC
    148 W 80th St, NY, NY 10024
    Open: Mon – Fri, 8am – 6pm EST
    Tel: 212-772-8334
    info@broadwayplaypublishing.com
    www.broadwayplaypublishing.com

    Company Info

    • About Us
    • Shipping Info
    • Refund Policy
    • Privacy Policy
    • Submissions
    • Contact Us

    Pages

    • Home
    • The Plays
    • Performance Rights
    • Authors
    • FAQs
    • Blog

    Newsletter Sign Up

    • This field is for validation purposes and should be left unchanged.
    © Broadway Play Publishing Inc.  All Rights Reserved.

    ‹ › ×