Cover photo and title type compliments of ACT

The Misanthrope

Molière, adapted by Constance Congdon
Book Item Icon $15.95
PDF ePlay Item Icon
Enter total users
$15.00
PERFORMANCE RIGHTS

Note

This title may also be purchased in the following bundle at 20% off the regular price: MOLIÈRE MASTER CLASS

Description

In this delightful comedy about the French aristocracy, told with Molière’s signature wit, the atmosphere is frivolous, the morals are loose, the egos are larger than life and everyone is looking for love. Constance Congdon’s adaptation of this intelligent satire is both provocative and funny.

Production Info

Cast: 10 total (3 female, 7 male)
Full Length Drama (about 100 minutes)
Multiple Sets
Period Costumes
Categories: , Tags: ,
Reviews

Press Quotes

“Love is all bad sonnets, big fluffy beds and silly preening in the first half of THE MISANTHROPE … Then the gloves come off … and the characters are fighting for their lives. Molière’s 1666 comedy about yearning for truth and love in a world of self-serving hypocrites never falls out of fashion … The play is recast here in a tonic new verse version by Constance Congdon … This is a world … where words do all the damage. Playwright Congdon (TALES OF THE LOST FORMICANS) has done an exemplary job of making that language count. Her rhymes are not as elegant as those in Richard Wilbur’s standard verse translation, and that’s the point. There’s a lean angularity in her lines, a flashing sense of purpose.” —Steven Winn, San Francisco Chronicle

About the Author

Author

  • Constance Congdon

    Constance Congdon has been called "one of the best playwrights our country and our language has ever produced" by playwright Tony Kushner in Kushner's introduction to her collection TALES OF THE LOST FORMICANS AND OTHER PLAYS. In addition to TALES OF THE LOST FORMICANS, which has had more than 200 productions worldwide, Congdon's plays include: CASANOVA, DOG OPERA, NO MERCY, LOSING FATHER'S BODY, LIPS and NATIVE AMERICAN. PARADISE STREET, was produced in Los Angeles and Amherst. Three commissions from the American Conservatory Theater: A MOTHER, starring Olympia Dukakis, a new verse version of THE MISANTHROPE, and a new adaptation of THE IMAGINARY INVALID, were all produced by ACT. Also at ACT: MOONTEL SIX, a commission by the ACT Young Conservatory and subsequently performed at London's National Theatre, followed by another production of the two-act version at San Francisco's ZEUM. THE AUTOMATA PIETÀ, another YC commission, received its world premiere at San Francisco's Magic Theatre in 2002; NIGHTINGALES went to the Theatre Royale Bath's Youth Theatre. Congdon's NO MERCY, and its companion piece, ONE DAY EARLIER, were part of the 2000 season devoted to Congdon at the Profile Theatre. She has written a number of opera libretti and seven plays for the Children's Theatre Company of Minneapolis. THE CHILDREN OF THE ELVI, Congdon's epic and NOT suitable for children, play received its premiere at the Key City Public Theater in 2007. Congdon's plays have been produced throughout the world, including Cairo, Tokyo and Berlin. Her new verse version of TARTUFFE is in a single-volume Norton Critical edition and in the Norton Anthology of Drama. In 2013, Congdon was the Honored Playwright at the GPTC and had a fully-staged workshop of her play about the water crisis in the West, TAKE ME TO THE RIVER. Her recent play HAIR OF THE DOG is about Shakespeare and Marlowe. Her most recent play, ENEMY SKY, is about drones, Islamaphobia, and late-in-life love. Congdon has received three NEA grants, two Rockefeller grants (one for Bellagio), an Albert Sloan grants for TAKE ME TO THE RIVER, The Berilla Kerr Award, Helen Merrill Award, The Albert Weissberger Award, New York Newsday's Oppenheimer Award for Best New Play in NYC, New England Theater Conference Award for Distinguished Service to the Theater (2004), two Great Plains Theater Conference Awards, one for Distinguished Service to the Theater and the other as the 2013 Honored Playwright. She is an alumnus of New Dramatists, The Playwright's Center of Minneapolis, and a current member of The Dramatists Guild and PEN. Congdon has taught playwriting at the Yale School of Drama, but her home is as playwright-in-residence at Amherst College where she has taught playwriting for 25 years. Her work is published by Norton, TCG, Inc, but mostly by Broadway Play Publishing.

  • Molière

    Jean-Baptiste Poquelin (1622 – 1673), known as Molière, was a French dramatist, director, and actor, and one of the world's greatest masters of comic satire. Of his nearly 40 plays, his most famous are TARTUFFE, THE MISER, THE LEARNED LADIES, THE MISANTHROPE, and THE IMAGINARY INVALID.

About the Book

Book Information

Publisher BPPI
Publication Date 12/9/2016
Pages 88
ISBN 9780881456806

Special Notes

Special Notes

Licensees are required to include the original stage producers credits in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:

Originally produced by ACT, San Francisco

The following must appear within all programs distributed in connection with performances of the Play:
The Misanthrope is produced
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypublishing.com

Productions

Upcoming and Recent Productions

Nonprofessional


10/16/2020 – 10/16/2020
Suny Oswego
Oswego, NY

9/27/2018 – 9/30/2018
University Of Findlay
Findlay, OH

11/10/2017 – 11/19/2017
Michigan State University
East Lansing, MI

10/20/2016 – 10/29/2016
University Of Massachusetts Amherst Department Of Theater
Amherst, MA