The Shape of Things
Play Description
How far would you go for love? For art? What would you be willing to change? What price might you pay? Such are the painful questions explored by Neil LaBute in THE SHAPE OF THINGS. A young student drifts into an ever-changing relationship with an art major while his best friends' engagement crumbles, so unleashing a drama that peels back the skin of two modern-day relationships.
Production Info
Cast: 4 total (2 female, 2 male)Full Length Drama (about 110 minutes)
Multiple Sets
Contemporary Costumes
- Reviews
- About the Author(s)
- About the Book
- Special Notes
- Productions
Press Quotes
“Any shrewd chap who finds his artist girlfriend has a video-camera in the bedroom to film the cut and thrust of their sexual action might well fear he was destined to end up as her artistic fodder. But in THE SHAPE OF THINGS, Neil LaBute’s absolutely chilling report from the sex war’s frontline, where stratagems for sexual humiliations are planned, Adam, the shy chap concerned, takes the video-camera, so to speak, lying down. LaBute, the remarkable American movie director and playwright whose film In the Company of Men showed a sexually unappealing woman exploited by two vengeful pretend lovers, now returns to this theme. This time it’s a man who’s the victim of female guile … LaBute meticulously plans that the shocking, climatic revelations should cast dark light upon his apparently average people.” —Nicholas de Jongh, The Standard
“[LaBute] continues to probe the fascinating dark side of individualism, whose ultimate evil is an inability to imagine the suffering of others … LaBute’s great gift is to live in and to chronicle that murky area of not knowing, which mankind spends much of its waking life denying. Where does truth end and fiction begin? Is the fiction more valuable than the truth? Do the results justify the means?” —John Lahr, The New Yorker
“What is art? What are you permitted to do in its name? … These questions are thrown up by a piece whose intricate layers of treachery are worthy of David Mamet …” —Paul Taylor, The Independent
“LaBute is a smart, ambitious writer who, at his best, dares to explore the ambivalence hiding under the weave of our social fabric. He always has a serious intellectual project in mind, and here he aims at no less than the subjectivity of love and the definition of art itself. THE SHAPE OF THINGS is compulsively watchable.” —Gordon Cox, Newsday
“LaBute is the most gifted, intelligent and wittily moral American playwright since Wallace Shawn; that is high praise, believe me. And this play marks his theatrical maturity. It’s a must see.” —Michael Coveney, Daily Mail
Author(s)
Neil LaButeNeil LaBute received his Master of Fine Arts degree in dramatic writing from New York University and was the recipient of a literary fellowship to study at the Royal Court Theatre, London. He also attended the Sundance Institute's Playwrights Lab and is the Playwright-in-Residence with MCC Theatre in New York City. LaBute's plays include: BASH: LATTER-DAY PLAYS, THE SHAPE OF THINGS, THE MERCY SEAT, THE DISTANCE FROM HERE, AUTOBAHN, FAT PIG (Olivier Award nominated for Best Comedy), SOME GIRL(S), THIS IS HOW IT GOES, WRECKS, FILTHY TALK FOR TROUBLED TIMES, IN A DARK DARK HOUSE, REASONS TO BE PRETTY (Tony Award nominated for Best Play) and THE BREAK OF NOON. In 2011 his play IN A FOREST, DARK AND DEEP premiered in London's West End. LaBute is also the author of Seconds of Pleasure, a collection of short fiction which was published by Grove Atlantic. His films include In the Company of Men (New York Critics' Circle Award for Best First Feature and the Filmmaker Trophy at the Sundance Film Festival), Your Friends and Neighbors, Nurse Betty, Possession, The Shape of Things, a film adaptation of his play of the same title, The Wicker Man, Lakeview Terrace and Death at a Funeral.
Book Information
| Publisher | BPPI |
|---|---|
| Publication Date | 12/31/2003 |
| Pages | 88 |
| ISBN | 9780881452228 |
Special Notes
If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
Originally produced at the Almeida Theatre, London
and subsequently at The Promenade Theater, New York
In addition, the following must appear within all programs distributed in connection with performances of the Play:
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypublishing.com