Lovesong (Imperfect)

José Rivera

Price range: $15.00 through $15.95

Book Item Icon $15.95
PDF ePlay Item Icon
Enter total users
$15.00
PERFORMANCE RIGHTS

Description

In LOVESONG (IMPERFECT), death has been declared illegal by the US government, trees grow lights instead of leaves, and ghosts love the living. There, two foolhardy lovers search for a love that lasts forever.

Production Info

Cast: 3 total (1 female, 2 male)
Full Length Drama (about 90 minutes)
Minimal Set Requirements
Contemporary Costumes
Category:
Reviews

Press Quotes

“LOVESONG (IMPERFECT) by José Rivera was a beautiful and clever tribute to love and lust in a world where death has been outlawed … The writing is executed beautifully, dancing elegantly between sincerity and humor … Each character struggles with possession and the theme of only wanting what you cannot have, grieving what is lost when committing, and longing. The build throughout the play of constant frustration and longing makes the final scene so touching and a complete emotional release for the audience. The burst of color, the dance between Delilah and Venezio as they find one another and truly see each other for the first time was such a beautiful sentiment … The couple keeps coming back together despite their differences and they learn to be playful and free like they were when they were children and this conclusion is so uplifting. LOVESONG is a journey through love, touching on its ugly desperation and its childish nature, it gently teases humanity’s inability to learn from our own mistakes, especially that of communication between men and women. There is a subtle commentary on the flakiness of the government as they change the laws on the legality of death and spirituality over and over during the play, each time signified by a newspaper comically flying through the air and landing in a players hands. This comedic look at love and death is a glorious journey, and will be appreciated by theatre companies for years to come.” —Zara Zeidman, Outer-Stage

About the Author

Author

  • José Rivera

    José Rivera’s full-length plays have been seen nationally and internationally and translated into a dozen languages. Obie Award–winners MARISOL And REFERENCES TO SALVADOR DALI MAKE ME HOT, both produced by The Public Theatre, NY, are taught around the country, as well as his essay “36 Assumptions about Playwriting." World premieres include THE HOUSE OF RAMON IGLESIA (Ensemble Studio Theatre), THE PROMISE (Los Angeles Theatre Center), EACH DAY DIES WITH SLEEP (Circle Rep/Berkeley Rep), CLOUD TECTONICS (Humana Festival at the Actors Theatre of Louisville), MARICELA DE LA LUZ LIGHTS THE WORLD (La Jolla Playhouse), GIANTS HAVE US IN THEIR BOOKS (Magic Theatre), SUEÑO (Hartford Stage Company), SONNETS FOR AN OLD CENTURY (Greenway Arts Alliance), BOLEROS FOR THE DISENCHANTED (Yale Rep), SCHOOL OF THE AMERICAS (Public Theatre), MASSACRE (SING TO YOUR CHILDREN) (Goodman Theatre), BRAINPEOPLE (ACT/San Francisco), ADORATION OF THE OLD WOMAN (La Jolla Playhouse), ANOTHER WORD FOR BEAUTY (Goodman Theatre), THE MAIDS (INTAR), THE KISS OF THE SPIDERWOMAN (Menier Chocolate Factory, London), THE LOVESONG (IMPERFECT) (14th Street Y, directed by the author), YOUR NAME MEANS DREAM (Contemporary American Theatre Festival, directed by the author), THE HOURS ARE FEMININE (INTAR, directed by the author, winner 2024 HOLA Best Production Award). His latest play A LUNAR RHAPSODY was workshopped at Duke U., Northwestern U., DePauw U., and Santa Fe Playhouse, each co-directed (with Sara Koviak) by the author. The screenplay for Rivera’s first produced movie, “The Motorcycle Diaries” (Walter Salles, director) was nominated for 2005 Best Adapted Screenplay Oscar — making Rivera the first Puerto Rican writer so honored. Other honors include a BAFTA, a Writers Guild Award, a Goya Award (Spain), and Argentina’s top screenwriting prize. His film “On the Road” (Francis Ford Coppola, producer, Walter Salles, director) premiered at the 2012 Cannes Film Festival and “Trade” (Lionsgate Pictures) was the first film to premiere at the United Nations. Other films include “The 33” and “Letters to Juliet.” Rivera co-created and produced “Eerie, Indiana,” (NBC) and was a consultant and staff writer on “Penny Dreadful: City of Angels” (Showtime) 2019. Rivera wrote and directed the award-winning short films “The Fall of a Sparrow” and “The Civet,” seen at film festivals around the country. Rivera is a recipient of a Fulbright Arts Fellowship, a Whiting Foundation Award, a McKnight Fellowship, a 2005 Impact Award, and was a playwright-in-residence at the Royal Court Theatre, London. In 1989 he studied with Gabriel García Márquez at the Sundance Institute. He has served on the boards of PEN West, TCG, and Sundance, was a Creative Advisor at Sundance Screenwriting Labs in Utah, Jordan, and India, and currently teaches writing at HB Studio, New York. Most recently, he was head writer and executive producer of the Netflix series based on One Hundred Years of Solitude (winner “Best Series,” 2025 Premios Platino), which the London Telegraph called “a spellbinding adaptation of an unfilmable novel.”

About the Book

Book Information

Publisher BPPI
Publication Date 3/25/2021
Pages 76
ISBN 9780881458930

Special Notes

Special Notes

Licensees are required to include the original stage producers credits in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:

Originally developed in part at Planet Connections Theatre Festivity; Artistic Director, Glory Kadigan.

The following must appear within all programs distributed in connection with performances of the Play:
Lovesong (Imperfect) is produced
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypublishing.com