• My Account
  • Quick Order
  • Cart
  • Checkout
 
  • Home
  • Blog
  • Clients

 
  • Home
  • The Plays
    • The Plays
    • Not Yet Published
    • Newly Published
    • Bestsellers
    • Classics
    • Collections
    • Bundles
    • Catalog
  • Performance Rights
    • Restrictions
    • Payments
    • Performance Rights
    • Upcoming Productions
  • Authors
  • FAQs
    • FAQs
    • Shipping Info
    • Refund Policy
    • Privacy Policy
    • Submissions
    • Wholesale Customers
    • Desk Copies
  • Blog
  • About Us
    • About Us
    • Contact Us
Menu
  • Home
  • The Plays
    • The Plays
    • Not Yet Published
    • Newly Published
    • Bestsellers
    • Classics
    • Collections
    • Bundles
    • Catalog
  • Performance Rights
    • Restrictions
    • Payments
    • Performance Rights
    • Upcoming Productions
  • Authors
  • FAQs
    • FAQs
    • Shipping Info
    • Refund Policy
    • Privacy Policy
    • Submissions
    • Wholesale Customers
    • Desk Copies
  • Blog
  • About Us
    • About Us
    • Contact Us
 

  • Home
  • The Plays
    • The Plays
    • Not Yet Published
    • Newly Published
    • Bestsellers
    • Classics
    • Collections
    • Bundles
    • Catalog
  • Performance Rights
    • Restrictions
    • Payments
    • Performance Rights
    • Upcoming Productions
  • Authors
  • FAQs
    • FAQs
    • Shipping Info
    • Refund Policy
    • Privacy Policy
    • Submissions
    • Wholesale Customers
    • Desk Copies
  • Blog
  • About Us
    • About Us
    • Contact Us
 
  • Home
  • >
  • The Plays
  • >
  • Danton’s Death

    Danton’s Death

    Georg Büchner, adapted by Robert Auletta
    Trade Edition$15.95
    ePlay$15.00 + $10.00 per additional user
    Performance Rights

    Play Description

    Set during the French Revolution's Reign of Terror, the play takes place from March 24 to April 4, 1794, when Maximilien Robespierre was in charge of the Committee of Public Safety that, along with the Revolutionary Tribunal, condemned people to the guillotine. Guillotine victims ranged from those who were seen as too radical to those who were viewed as royalist sympathizers and even simply moderates like Danton.

    Production Info

    Cast: 26 total (8 female, 18 male)
    Full Length Drama (about 100 minutes)
    Minimal Set Requirements
    Period Costumes
    Categories: The Plays, Classics Tags: European, German, French, 18th Century
    • Reviews
    • About the Author(s)
    • About the Book
    • Special Notes

    Press Quotes

    “Robert Auletta’s adaptation of DANTON’S DEATH streamlined Büchner’s epic romantic drama revolving around the passive, existential figure of Danton, a man who wishes to die in order to escape the horrors of the French Revolution. Auletta eliminated characters and combined scenes, but he did not change the story, omit the philosophical monologues, or minimize emotional elements. Danton’s wife’s suicide, Camille’s wife’s descent into insanity, and the contrast between Danton’s passivity and his friend Camille’s excitability all remain.” —Ellen Halperin-Royer, Theatre Topics

    “It’s not really a political but a philosophical play. The issues are timeless.” —Robert Wilson

    “A political radical born the same year as Richard Wagner (1813), Georg Büchner was a student of the French Revolution from boyhood. Trained (like Chekhov) as a doctor, he wrote DANTON’S DEATH at age twenty-two as a way of financing his escape from arrest for revolutionary political activity. Reflecting his disillusionment with political action, the play was finished in only five weeks, but Büchner had to flee to France before it was published. He died in 1837 at age twenty-three years and four months. Unknown until the 1890s, Büchner influenced such modern literary movements as Naturalism, Expressionism, Social Realism, Psychological Irrationalism, Existential Theater, and Theater of the Absurd. The first of his only three plays, DANTON’S DEATH was not performed for some seventy years. But its classic status was instantly established in 1916 when the great Max Reinhardt staged it in Berlin. Orson Welles’s Mercury Theater performed it in 1938.” —William Albright, The Houston Post

    Author(s)

    • Robert Auletta

      Robert Auletta's plays have been produced at many theaters, including The Yale Repertory Theater, Joseph Papp's Public Theater, The American Repertory Theater, The Production Company, PS 122, Café La Mama, and the Westbank Downstairs Theater Bar, where many of his one acts were first performed. His play AMAZONS helped open The Market Theater in Cambridge, MA in 2000. Previous to that, his modern versions of Aeschylus's THE ORESTEIA and Molière's TARTUFFE, both directed by the French/Swiss director Francois Rochaix, were produced in the same city by the American Repertory Theater during their 1995/96 season. Two of his one acts, STOPS/VIRGINS, were awarded a Village Voice Obie for distinguished playwriting in 1983. His modern version of Sophocles' AJAX, directed by Peter Sellars in 1986, was performed in America at both the Kennedy Center and the La Jolla Playhouse, and to great acclaim in many theaters in Europe. It also received The Hollywood Drama-Logue Critics Award, and was filmed by Dutch television It has subsequently been shown at various film festivals in Greece. His Gulf War version of Aeschylus' THE PERSIANS, directed by Peter Sellars in 1993, received both controversy and acclaim in many productions both in America and abroad; causing a heated reaction at Los Angeles' Mark Taper Forum. It was produced again in 2005 by the Scena Theater in Washington, D.C., with an entirely different reaction from the audience. It was first published by Sun and Moon Press and recently reprinted by Broadway Play Publishing Inc. They also printed a collection of his plays, and later his version of Georg Büchner's DANTON'S DEATH, directed by Robert Wilson at the Alley Theater in Houston TX, and later at the Berliner Ensemble. He has received two National Endowment for the Arts Grants, a New York State Foundation Grant, and has been awarded residencies in various art colonies, including The MacDowell Colony, Ledig House, The Millay Colony, and Hawthornden Castle in Scotland. He taught at the Yale School of Drama for five years on various occasions, for thirteen summers at The Harvard Expository Writing Program, and continues to teach at The School of Visual Arts in New York City, and recently at the Lee Strasberg Theater and Film Institute. Since 2008 his short play RABBITS, which is published in PLAYS BY ROBERT AULETTA, has been enjoying another life as a twenty-minute film starring Jessica Hecht and Christopher McCann. For over seven years it has been seen all over the world, including in Russia and China, where it has played on occasion to over 100,000 viewers a week.

    • Georg Büchner

      Georg Büchner was born in Germany in 1813. He studied medicine, campaigned for social change, and wrote two plays, DANTON'S DEATH and LEONE AND LENA, before starting work on WOYZECK, which was based on a real criminal case. Büchner died of typhus at aged twenty-three.

    Book Information

    Publisher BPPI
    Publication Date 7/1/2005
    Pages 64
    ISBN 9780881452716

    Special Notes

    If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:

    First produced by the Alley Theater, Houston

    In addition, the following must appear within all programs distributed in connection with performances of the Play:

    Danton’s Death is produced
    by special arrangement with Broadway Play Publishing Inc, NYC
    www.broadwayplaypublishing.com

    Related Plays

    $15.00–$15.95
    The Miser
    Molière, adapted by Virginia Scott
    $15.00–$15.95

    Play Description

    Harpagon thinks that his children are costing him too much money and must be married off. He has found an old man who won’t demand a dowry for his daughter, Elise, and a rich widow for his son, Cleante. Unfortunately Elise is already in love with Harpagon’s servant, and his son is in love with the penniless Mariane, whom Harpagon has already decided to take as his own wife.

    Production Info

    Cast: 13 total (4 female, 9 male)
    Full Length Drama (about 105 minutes)
    Multiple Sets
    Period Costumes
    Analiese
    Lynne Alvarez

    Play Description

    Two teens living in 19th-century Denmark are separated when the boy, Christian, mysteriously departs with Nina, an exotic older woman. The girl, Analiese, fearing Christian may be in danger, begins to search for him in a small boat, her only traveling companion being a small insightful Toucan. Alvarez reveals a world that is boldly theatrical and classically intelligent.

    Production Info

    Cast: 15 total (9 female, 6 male, flexible casting, nonspeaking roles)
    Full Length Drama (about 90 minutes)
    Minimal Set Requirements
    Period Costumes
    $12.95–$15.00
    The Illusion
    Tony Kushner, freely adapted from Pierre Corneille's L'ILLUSION COMIQUE
    $12.95–$15.00

    Play Description

    A lawyer, facing mortality, desperate to find the son he drove away years before, travels in the dead of night to a mysterious cave. There he engages the services of a wizard, who conjures up visions of the romantic, adventurous, perilous life the lawyer’s son has been living since his father expelled him from home. THE ILLUSION, freely adapted from Pierre Corneille’s L’ILLUSION COMIQUE, is Kushner’s most joyfully theatrical play, a wildly entertaining tale of passion and regret, of love, disillusionment and magic.

    Production Info

    Cast: 8 total (2 female, 6 male)
    Full Length Drama (about 90 minutes)
    Single Set
    Period Costumes
    $15.00–$15.95
    The Ghost Sonata
    August Strindberg, translated by Laurence Senelick
    $15.00–$15.95

    Play Description

    Ghosts drift through Strindberg's haunted and haunting dreamscape where a student idealizes the inhabitants of a stylish Stockholm apartment building, only to discover that their lives, perhaps even life itself, may be a kind of hell from which salvation can only be achieved through suffering.

    Production Info

    Cast: 14 total (7 female, 7 male, bit parts)
    Full Length Drama (about 90 minutes)
    Single Set
    Period Costumes
    $12.95–$15.00
    The Learned Ladies
    Molière, translated from the French into English by A R Waller, adapted by Steven Pimlott and Colin Chambers
    $12.95–$15.00

    Play Description

    Molière's satire of intellectual snobbery focuses on the women folk of Chrysale's household, who look on all but intellectual pursuits as worthless and spurn love in favour of learning. The heroine, Chrysale's daughter Henriette, wants to marry Clitandre, but her mother wishes her to marry the poet Trissotin, who is worming his way into the household in order to marry Henriette for her family's fortune. When his avaricious plot is discovered, he is sent away in disgrace, leaving Henriette to marry Clitandre as she wishes.

    Production Info

    Cast: 13 total (5 female, 8 male)
    Full Length Drama (about 100 minutes)
    Multiple Sets
    Period Costumes
    $12.95–$15.00
    A Bright Room Called Day
    Tony Kushner
    $12.95–$15.00

    Play Description

    From the Pulitzer Prize–winning author of ANGELS IN AMERICA comes this powerful portrayal of individual dissolution and resolution in the face of political catastrophe.

    Production Info

    Cast: 9 total (5 female, 4 male)
    Full Length Drama (about 160 minutes)
    Multiple Sets
    Contemporary Costumes
    $15.00
    Korczak’s Children
    Michael Brady
    $15.00

    Play Description

    The play chronicles the selfless acts of Janusz Korczak, the teacher and director. Korczak strove to give the children of the Warsaw Ghetto a sense of normalcy despite the horrific conditions and eventually chose to leave with them for the Treblinka death camp.

    Production Info

    Cast: 13 total (4 female, 9 male)
    Full Length Drama (about 100 minutes)
    Minimal Set Requirements
    Period Costumes
    $15.00–$15.95
    Round One
    Arthur Schnitzler, adapted by Eric Bentley
    $15.00–$15.95

    Play Description

    Eric Bentley’s adaptation of Arthur Schnitzler’s classic LA RONDE.

    Production Info

    Cast: 10 total (5 female, 5 male)
    Full Length Drama (about 100 minutes)
    Multiple Sets
    Contemporary Costumes
    $12.95–$15.00
    The Game of Love and Chance
    Pierre Marivaux, translated by Stephen Mulrine
    $12.95–$15.00

    Play Description

    The best known play by one of the most performed French playwrights — a sparkling 18th-century comedy of manners based on the simplest of plot devices, the exchanging places of master and valet, mistress and maidservant.

    Production Info

    Cast: 6 total (2 female, 4 male, 1 bit part)
    Full Length Comedy (about 120 minutes)
    Minimal Set Requirements
    Period Costumes
    $12.95–$15.00
    Amphitryon
    Eric Overmyer, Moliere, Heinrich von Kleist, Jean Giraudoux
    $12.95–$15.00

    Play Description

    A comical, anachronistic, and witty retelling of the Greek myth, composed “after Kleist by way of Molière with a little bit of Giraudoux.”

    Production Info

    Cast: 7 total (2 female, 5 male)
    Full Length Comedy (about 90 minutes)
    Minimal Set Requirements
    Contemporary Costumes
    $15.00–$15.95
    Ghosts
    Henrik Ibsen, translated and adapted by Anthony Clarvoe
    $15.00–$15.95

    Play Description

    Ibsen’s 1881 masterpiece finds a fresh interpretation in Anthony Clarvoe’s taut adaptation in which a woman has to face her legacy of religious and sexual repression when her grown son comes home to tell her that he has an incurable sexually transmitted disease and asks her to help him die with dignity.

    Production Info

    Cast: 5 total (2 female, 3 male)
    Full Length Drama (about 120 minutes)
    Single Set
    Period Costumes
    $15.00–$15.95
    Pride and Prejudice
    Jane Austen, adapted by Christopher Baker
    $15.00–$15.95

    Play Description

    Jane Austen's mastery of manners and morals is on full display in Christopher Baker's acclaimed stage adaptation of her beloved masterpiece, Pride and Prejudice. In the Bennet sisters' world, marriage is the prize, but for second-eldest, Lizzy, companionship trumps blind courtship. Enter Mr. Darcy, and one of literature's most iconic and tempestuous romances takes flight. Journey through a world quite unlike — and yet perhaps not so different from — our own, as Lizzy and Darcy learn that first impressions aren't all they seem, and that second chances can lead to answers that have been there the entire time.

    Production Info

    Cast: 18 total (10 female, 8 male, 18 speaking roles or with doubling 14 actors)
    Full Length Drama (about 120 minutes)
    Minimal Set Requirements
    Period Costumes

    Contact Info

    BROADWAY PLAY PUBLISHING INC
    148 W 80th St, NY, NY 10024
    Open: Mon – Fri, 8am – 6pm EST
    Tel: 212-772-8334
    info@broadwayplaypublishing.com
    www.broadwayplaypublishing.com

    Company Info

    • About Us
    • Shipping Info
    • Refund Policy
    • Privacy Policy
    • Submissions
    • Contact Us

    Pages

    • Home
    • The Plays
    • Performance Rights
    • Authors
    • FAQs
    • Blog

    Newsletter Sign Up

    • This field is for validation purposes and should be left unchanged.
    © Broadway Play Publishing Inc.  All Rights Reserved.

    ‹ › ×