Cover photo by Micha Langer

Don Quixote de La Jolla

Eric Overmyer
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Description

Eric Overmyer’s marvelous tongue-in-cheek salute to Miguel de Cervantes’ comedic classic Don Quioxte.

Production Info

Cast: 5 total (2 female, 3 male)
Full Length Drama (about 85 minutes)
Minimal Set Requirements
Period Costumes
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Reviews

Press Quotes

“A cosmically inclined theatrical court jester.” —Mel Gussow, The New York Times

“Blissfully zany … it is mainly just a free-wheeling romp that takes off some of the characters, incidents, and ideas in Cervantes’s book. It is that form of comedy, known as burlesque or travesty, which achieves its humor by the low and ridiculous transformation of a loftier subject. (Actually, since the original DON QUIXOTE was itself a burlesque of medieval romances, DON QUIXOTE DE LA JOLLA is in effect a travesty of a travesty.) More accurately, DON QUIXOTE DE LA JOLLA is not so much a burlesque of the original book (which few people read anyway) but of the image of the book in the mass mind as fostered by other adaptations, most significantly MAN OF LA MANCHA … DON QUIXOTE DE LA JOLLA is, then, a headlong, hectic, hilarious rush, a frantic comic phantasmagoria on Quixotic themes, that needs no scholar annotations; it is great good fun.” —George Weinberg-Harter, Drama-Logue

About the Author

Author

  • Miguel de Cervantes

    Miguel De Cervantes Saavedra was born in Spain in 1547 to a family once proud and influential but fallen on hard times. His father, a poor barber-surgeon, wandered up and down Spain in search of work. Educated as a child by the Jesuits in Seville, the creator of Don Quixote grew up to follow the career of a professional soldier. He was wounded at Lepanto in 1571, captured by the Turks in 1575, imprisoned for five years, and was finally rescued by the Trinitarian friars in 1580. On his return to Spain he found his family more impoverished than ever before. Supporting his mother, two sisters, and an illegitimate daughter, he settled down to a literary career and had hopes of becoming a successful playwright, but just then the youthful Lope de Vega entered triumphantly to transform the Spanish theatre by his genius. GALATEA, a pastoral romance, was published in 1585, the year of Cervantes' marriage to Catalina de Palacios y Salazar Vozmediano. But it did not bring him an escape from poverty, and he was forced to become a roving commissary for the Spanish armada. This venture, which led to bankruptcy and jail, lasted for fifteen years. Although he never knew prosperity, Cervantes did gain a measure of fame during his lifetime, and Don Quixote and Sancho Panza were known all over the world. Part I of Don Quixote was published in 1605; in 1613, his Exemplary Novels appeared, and these picaresque tales of romantic adventure gained immediate popularity. Journey to Parnassas, a satirical review of his fellow Spanish poets, appeared in 1614, and Part II of Don Quixote in 1615 as well as Eight Plays and Eight Interludes. Miguel de Cervantes died on April 23, 1616, the same day as the death of Shakespeare.

  • Eric Overmyer

    Eric Overmyer is a playwright and a television writer and producer. He graduated as a theater major from Reed College in 1973. His plays include ON THE VERGE, THE HELIOTROPE BOUQUET, IN A PIG'S VALISE, DON QUIXOTE DE LA JOLLA, NATIVE SPEECH, MI VIDA LOCA, IN PERPETUITY THROUGHOUT THE UNIVERSE, and DARK RAPTURE. Mr Overmyer has written extensively for television, including for Homicide: Life on the Street, The Wire and Law & Order, and has been nominated for two Emmy Awards. He received an Edgar Award for the television feature Rear Window. Overmyer was also a co-creator of the HBO series Treme, about musicians in post-Katrina New Orleans.

About the Book

Book Information

Publisher BPPI
Publication Date 7/1/1993
Pages 62
ISBN 9780881451092

Special Notes

Special Notes

Licensees are required to include the original stage producers credits in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:

Originally produced by The La Jolla Playhouse

The following must appear within all programs distributed in connection with performances of the Play:
Don Quixote de La Jolla is produced
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypublishing.com