Liberty Scrap

Christina Masciotti

Note

Not yet published.

Description

In LIBERTY SCRAP, cash is tight, and the goings are tough, but Katya has managed to eke out a living in a scrap metal warehouse by day, and as an artist by night, fashioning sculptures out of debris. When her Uzbek father falls ill, she attempts to return home to care for him, only to discover her dubious immigration status is much more dangerous than she ever imagined, threatening to keep her separated from her family forever.

Production Info

Cast: 4 total (3 female, 1 male, chorus of 2 females and 2 males)
Full Length Drama (about 100 minutes)
Single Set
Contemporary Costumes
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Reviews

Press Quotes

“Katya, the protagonist of LIBERTY SCRAP, or maybe we could call her the moving portrait at the center of the play … seems to have scraped by entirely outside of institutional frameworks … ‘The real world’ and the portrait of the human individual falling through its cracks is Christina’s dramatic turf … Her plays operate in precisely located naturalism. And they operate in the space of an allegorical quest unfolding in the overactive brain of somebody with no time, no center, no safety, as they come up against everything … Masciotti’s second or third language crossover shots at idiom are ear perfect … Katya’s tiny sculptures, Christina’s chiseled speech accidents, these are records of individual ingenuity breaking normative, inherited … systems, bending regulations and reshaping borders … Christina listens to individuals, uses their voices in stories that … salvage their dignity, their spirit, and their strange, discreet personhood.”
—⁠Ben Gassman, Culturebot

About the Author

Author

  • Christina Masciotti

    Christina Masciotti has been described as a playwright with a "distinctive gift" by Ben Brantley of The New York Times. In New York, her work has been presented by The Bushwick Starr, New York City Players, Abrons Arts Center, New York Theatre Workshop, The Chocolate Factory Theater, The Public Theater's Under the Radar Festival, and CUNY's Prelude Festival. Domestic and international presentations include: Arts Emerson's T N T Festival (Boston); Circle X Theatre (Los Angeles); LaStarria 90's Desorientacion Series (Santiago, Chile); Theater Bonn (Bonn, Germany); the VIE Scena Contemporanea Festival (Modena, Italy); the International Theatre Institute (Athens, Greece); and, as part of PS 122's New York Express Tour, Theater Garonne (Toulouse, France), T2G (Genevilliers, France), Le Maillon (Strasbourg, France), and ZKM (Zagreb, Croatia). VISION DISTURBANCE was cited as one of the Best Plays of 2010 by Time Out New York, and monologues from her later play ADULT have been anthologized in Smith and Kraus' The Best Women's Stage Monologues of 2014, and Applause Theater and Cinema Books' Best Contemporary Monologues for Women. The original scripts for both VISION DISTURBANCE and ADULT have been selected for preservation in the permanent archives of the New York Public Library for the Performing Arts.

About the Book

Book Information

Publisher BPPI
Publication Date
Pages
ISBN 9798888561003

Special Notes

Special Notes

Licensees are required to include the original stage producers credits in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
The following must appear within all programs distributed in connection with performances of the Play:
Liberty Scrap is produced
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypublishing.com