Press Quotes
review of premiere production (father-son):
“An interesting mind bender that examines the love-hate relationship that a father and son have with each other and with the war game that defines them.” —Jan Nargi, broadwayworld.com
reviews of the Alternative Version (mother-daughter):
“Hard upon the heels of The Queen’s Gambit—but written before that blockbuster film existed and first produced in 2005—comes Berkeley playwright Anthony Clarvoe’s THE ART OF SACRIFICE, a taut two-hander about a troubled chess champ and her ultra-controlling mother. … Clarvoe—author of such plays as PICK UP AX and CONTROL+ALT+DELETE—wrote it as a father-son drama, but at the behest of the locally based Remote Theater reconfigured it for two women. … Clarvoe’s story is nuanced, and full of surprises. … The ways that mothers and daughters interact, the ways they influence each other, for better and for worse, is an endlessly fascinating and drama-worthy topic, and Clarvoe has mined and distilled one particular such scenario to its full potential.” —Jean Schiffman, San Francisco Examiner
“Sharp, biting dialogue between a desperate mom and her Chess champion daughter reminds me of corporate skullduggery. Each side attempts to undermine the other, while pretending to serve a higher cause. The age of cutthroat competition has come down to the family unit, wreaking havoc between parent and child. … Women are not immune to the demands of winning in this tussle between the older and younger generations. Cruelty has replaced compassion, and cynicism beats out sisterhood. … In Remote Theatre’s production, two protagonists share the screen in Anthony Clarvoe’s THE ART OF SACRIFICE, a confrontation between mother and daughter. … Clarvoe’s strategic two-hander is a black comedy about sacrificing your wits and gifts in order to win, however fleetingly. THE ART OF SACRIFICE shows how extreme competition and individualism will deform mother-daughter love. … Clarvoe’s human chess stratagems, as they suprisingly exchange roles, serve up a tantalizing drama fit for our world of breakneck narcissism.” —Barry David Horwitz, theatrius.com