The Lonely Trilogy

Alessandro Camon

Note

This bundle consisting of three books is sold at 20% off the regular price for its individual titles.

$37.95

Original price was: $47.85.Current price is: $37.95.

Book — Time Alone

TIME ALONE traces the parallel journeys of a young man convicted of killing a gang rival and a woman whose son ⁠—⁠ a police officer ⁠—⁠ is murdered in the line of duty. Both end up in places of extreme loneliness: a solitary confinement prison cell and the silent house of the bereaved. As time itself seems to unravel, their tales both contrast and mirror each other, providing answers to each other's questions ⁠—⁠ until they find new doors to life.

Book — The Listener

Beth is a crisis helpline volunteer, who gets on the phone every night to field calls from people feeling lonely, broken, hopeless. The play follows her through her shift, as the stakes rise: is this the night she will lose someone? Save someone? Eventually, her own story comes to light, revealing why she does it.

Book — Scintilla

Michael and Nora travel to visit his mother Marianne, a reclusive artist who lives at the edge of the woods in California’s Wine Country. As a raging wildfire approaches, Michael must deal with Marianne’s refusal to leave and the arrival of two unexpected visitors. The rising tension exposes a complicated family history erupting into a larger question about our very survival on this planet.

Description

The theme of modern loneliness finds varied expression in the three plays that comprise THE LONELY TRILOGY.

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Reviews

Press Quotes

TIME ALONE

“Alessandro Camon’s two-hander transpires in overlapping monologues between Anna Jackson, a traumatized shut-in whose police officer son was killed in the line of duty, and Gabriel Wayland, a prison inmate in solitary confinement. The characters ⁠—⁠ both sympathetic, both impassioned ⁠—⁠ hold forth about their radically different views on the nature of time, regret and the criminal justice system. Gabriel speaks from his cell, Anna from the prison-like home … His drama comes full circle in a beautifully realized denouement that emphasizes not only our human need for connection, but our innate and sometimes surprising capacity for forgiveness.” ⁠—⁠F Kathleen Foley, Los Angeles Times

“I was riveted … sharp writing and observations … In their haunted isolation, for all their differences, victim and perpetrator both experience time as a tool of torture. And then, in a twist I can’t give away, they discover a connection that carries with it a hint of redemption.” ⁠—⁠Steve Lopez, Los Angeles Times

“Stunning … Poetic writing … An inspired two-hander that casts a jaundiced eye on the criminal justice and prison systems … Camon employs the same grim nuance that was so successful in his Oscar-nominated screenplay for The Messenger … His familiarity with the subject brings immediacy as well as emotional and psychological veracity to his writing.” ⁠—⁠The Hollywood Reporter

THE LISTENER

Praise for the film version of THE LISTENER:

“Takes on a pandemic many Americans experienced and continue to, even post-quarantine: loneliness. Rife with compassion.” ⁠—⁠Lisa Kennedy, The New York Times

“A testament to the power of empathy and connection.” ⁠—⁠Valerie Kalfrin, Alliance of Women Film Journalists

“Hypnotic … trenchant melancholy and often poetic rumination on human resilience despite the odds.” ⁠—⁠Nicholas Bell, Ioncinema

“Sensitive, subtle, and restrained.” ⁠—⁠Matt Zoller Seitz, RogerEbert.com

“A character drama so quiet it cuts through the noise.” ⁠—⁠Christian Blauvelt, Indiewire

SCINTILLA

“Terrific … a sobering look at the fires we set, those we flee and those that engulf us … What seems like a deceptively simple premise develops several intriguing layers … Equal parts domestic drama and a harrowing investigation into the results of climate change, SCINTILLA is as impactful as it is unrelenting.” ⁠—⁠Evan Henderson, BroadwayWorld

“Exquisite, lyrical, urgently important.” ⁠—⁠Travis Michael Holder

About the Author

Author

  • Alessandro Camon

    Alessandro Camon is a writer and producer born in Italy and currently living in Los Angeles. He is best known for writing The Messenger, a contemporary drama about military officers delivering casualty notifications, with writer/director Oren Moverman. The screenplay was nominated for an Academy Award, Spirit Award, and Humanitas Award, and it won the Silver Bear for Best Screenplay at the Berlin Film Festival. Alessandro's producing credits include Owning Mahowny, Thank You For Smoking, The Cooler, American Psycho, Bad Lieutenant: New Orleans and Wall Street: Money Never Sleeps. He is currently writing Black Lion, with Andrew Garfield attached to star. Alessandro started his career in Italy, as a television programming executive and film critic. He holds a Degree in Philosophy from the University of Padua, Italy and an MA in Film from UCLA. He has published several books and articles on film and popular culture, both in English and Italian, and is a contributor to Salon.com and the Los Angeles Review of Books. Alessandro is married to film producer Suzanne Warren (The Last King of Scotland, Edge of Darkness, Hacksaw Ridge).