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Brainpeople

José Rivera

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PERFORMANCE RIGHTS

Description

A wealthy woman invites two strangers to join her in a strange feast commemorating the death of her parents. Mayannah has done this every year but her dark purpose remains unclear. All that will change tonight when two damaged souls find their way to her table. Taking place in a not-so-distant future, the sounds of a war-torn Los Angeles fill the air. Tensions rise, true colors are revealed and the main course is not the only thing with claws …

Production Info

Cast: 3 total (3 female)
Full Length Dark Comedy (about 100 minutes)
Single Set
Contemporary Costumes
Category: Tag:
Reviews

Press Quotes

“… Rivera’s teasingly engrossing stage reality … It’s a return to the postapocalyptic landscape this most magical-realist of major American playwrights has explored in such compelling works as MARISOL and REFERENCES TO SALVADOR DALI MAKE ME HOT, among his many plays … Rivera eschews external surreal symbols this time to delve directly into the chaos of his characters’ disordered minds. The result is both an engrossing descent into the traumatized inner realms of three very different, isolated women … Each flight of concentrated poetry is vividly written … Rivera has created an intriguing and evocative drama with the social and psychological terrors that have leapt from the grottoes of the women’s minds.” —Robert Hurwitt, San Francisco Chronicle

“… This real-time drama … unfolds beautifully and offers great insight into how basic human nature desires can go bizarrely astray when the world is falling apart.” —Giattina, San Francisco Bay Guardian

About the Author

Author

  • José Rivera

    José Rivera’s full-length plays have been seen nationally and internationally and translated into a dozen languages. Obie Award–winners MARISOL And REFERENCES TO SALVADOR DALI MAKE ME HOT, both produced by The Public Theatre, NY, are taught around the country, as well as his essay “36 Assumptions about Playwriting." World premieres include THE HOUSE OF RAMON IGLESIA (Ensemble Studio Theatre), THE PROMISE (Los Angeles Theatre Center), EACH DAY DIES WITH SLEEP (Circle Rep/Berkeley Rep), CLOUD TECTONICS (Humana Festival at the Actors Theatre of Louisville), MARICELA DE LA LUZ LIGHTS THE WORLD (La Jolla Playhouse), GIANTS HAVE US IN THEIR BOOKS (Magic Theatre), SUEÑO (Hartford Stage Company), SONNETS FOR AN OLD CENTURY (Greenway Arts Alliance), BOLEROS FOR THE DISENCHANTED (Yale Rep), SCHOOL OF THE AMERICAS (Public Theatre), MASSACRE (SING TO YOUR CHILDREN) (Goodman Theatre), BRAINPEOPLE (ACT/San Francisco), ADORATION OF THE OLD WOMAN (La Jolla Playhouse), ANOTHER WORD FOR BEAUTY (Goodman Theatre), THE MAIDS (INTAR), THE KISS OF THE SPIDERWOMAN (Menier Chocolate Factory, London), THE LOVESONG (IMPERFECT) (14th Street Y, directed by the author), YOUR NAME MEANS DREAM (Contemporary American Theatre Festival, directed by the author), THE HOURS ARE FEMININE (INTAR, directed by the author, winner 2024 HOLA Best Production Award). His latest play A LUNAR RHAPSODY was workshopped at Duke U., Northwestern U., DePauw U., and Santa Fe Playhouse, each co-directed (with Sara Koviak) by the author. The screenplay for Rivera’s first produced movie, “The Motorcycle Diaries” (Walter Salles, director) was nominated for 2005 Best Adapted Screenplay Oscar — making Rivera the first Puerto Rican writer so honored. Other honors include a BAFTA, a Writers Guild Award, a Goya Award (Spain), and Argentina’s top screenwriting prize. His film “On the Road” (Francis Ford Coppola, producer, Walter Salles, director) premiered at the 2012 Cannes Film Festival and “Trade” (Lionsgate Pictures) was the first film to premiere at the United Nations. Other films include “The 33” and “Letters to Juliet.” Rivera co-created and produced “Eerie, Indiana,” (NBC) and was a consultant and staff writer on “Penny Dreadful: City of Angels” (Showtime) 2019. Rivera wrote and directed the award-winning short films “The Fall of a Sparrow” and “The Civet,” seen at film festivals around the country. Rivera is a recipient of a Fulbright Arts Fellowship, a Whiting Foundation Award, a McKnight Fellowship, a 2005 Impact Award, and was a playwright-in-residence at the Royal Court Theatre, London. In 1989 he studied with Gabriel García Márquez at the Sundance Institute. He has served on the boards of PEN West, TCG, and Sundance, was a Creative Advisor at Sundance Screenwriting Labs in Utah, Jordan, and India, and currently teaches writing at HB Studio, New York. Most recently, he was head writer and executive producer of the Netflix series based on One Hundred Years of Solitude (winner “Best Series,” 2025 Premios Platino), which the London Telegraph called “a spellbinding adaptation of an unfilmable novel.”

About the Book

Book Information

Publisher BPPI
Publication Date 12/1/2008
Pages 80
ISBN 9780881458329

Special Notes

Special Notes

Licensees are required to include the original stage producers credits in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:

World premiere at American Conservatory Theater, San Francisco

The following must appear within all programs distributed in connection with performances of the Play:
Brainpeople is produced
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypublishing.com

Productions

Upcoming and Recent Productions

Nonprofessional


5/18/2023 – 6/4/2023
Vortex Theatre
Albuquerque, NM

1/30/2020 – 2/2/2020
Depauw University
Greencastle, IN

4/24/2019 – 4/27/2019
Minnesota State University, Mankato
Mankato, MN

11/9/2018 – 11/16/2018
Shoe Box Theatre Collective
Philadelphia, PA

10/11/2018 – 11/3/2018
Latino Theatre Projects
Seattle, WA

9/19/2018 – 9/24/2018
NYU Theatrical Production
New York, NY

4/19/2018 – 4/22/2018
American Conservatory Theater
San Francisco, CA

3/16/2018 – 4/7/2018
California State University, Fullerton
Santa Ana, CA