Mexican Day
Play Description
In 1948, Los Angeles Tribune reporter Hisaye Yamamoto puts her job at risk when she joins forces with civil rights pioneer Bayard Rustin to desegregate Bimini Baths.
Production Info
Cast: 4 total (1 female, 3 male)Full Length Drama (about 90 minutes)
Minimal Set Requirements
Period Costumes
- Reviews
- About the Author(s)
- About the Book
- Special Notes
Press Quotes
“Water is a vivid metaphor in Los Angeles. We live in a desert beside an ocean, an existence of simultaneous want and plenitude. Another, lesser-known water source inspires The Ballad of Bimini Baths, a trio of plays by local playwright Tom Jacobson. Bimini was a popular swimming and spa complex at the site of hot springs one block east of Vermont Avenue between 1st and 2nd streets, operated from 1903 to 1951. Jacobson makes this the nexus of a wide-ranging tale that pulls together events in LA history, some of which occurred at the baths, others not. His theme is sins in need of being washed away—racism as well as other moral failings. The intriguing result is being staged by three small theaters, all running different plays ranging from 55 minutes to 1½ hours. The final play is an inspiring tale of people working together to try to redeem the past and re-chart the future … Bimini, like many places in the early 20th century, was racially exclusive. People of color were admitted just one day a month, the day before the pools were drained and cleaned.” —Daryl H Miller, Los Angeles Times
“Only a playwright as daring and talented as Tom Jacobson could imagine and achieve a project as mind-blowing as his fascinating, informative Ballad of Bimini Baths trilogy. MEXICAN DAY is the most accessibly crowd-pleasing of the bunch.” —Stage Scene LA
“Highly effective. This is a thought-provoking and powerful play … humor alternates with seriousness.” —LA Splash
“Tom Jacobson’s insightful script intimately, intricately interweaves ethnicity, class, sexuality and more in his story depicting a landmark Civil Rights struggle in late 1940s Los Angeles.” —Hollywood Progressive
Author(s)
Tom JacobsonTom Jacobson has had more than 80 productions of his plays, including SPERM at Circle X Theatre Company, THE ORANGE GROVE at Playwrights Arena, and the award-winning BUNBURY, TAINTED BLOOD, OUROBOROS and THE FRIENDLY HOUR at The Road Theatre Company. THE TWENTIETH-CENTURY WAY premiered at The Theatre @ Boston Court and the New York International Fringe Festival (five Ovation Award nominations, four Los Angeles Drama Critics' Circle nominations, one GLAAD Award nomination, Fringe Festival Award for Outstanding Production of a Play, PEN Center Award for Drama) and moved Off Broadway to Rattlestick Playwrights Theatre. MAKING PARADISE: THE WEST HOLLYWOOD MUSICAL was produced by Cornerstone Theater Company (Critic's Choice in Back Stage West). He has been a co-literary manager of The Theatre @ Boston Court, a founding member of Playwrights Ink, and a board member of Cornerstone Theater Company and The Theatre @ Boston Court. Most recent productions include the world premieres of THE CHINESE MASSACRE (ANNOTATED) at Circle X and HOUSE OF THE RISING SON at Ensemble Studio Theatre-LA (Critic's Choice in Back Stage West and Los Angeles Times, nominated for a GLAAD Award and winner of two Los Angeles Drama Critics Circle Awards). Film: PRAIRIE SONATA (based on THE FRIENDLY HOUR). Opera: HOPSCOTCH, commissioned by The Industry.
Book Information
| Publisher | BPPI |
|---|---|
| Publication Date | 9/24/2018 |
| Pages | 80 |
| ISBN | 9780881457926 |
Special Notes
If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
MEXICAN DAY opened at Rogue Machine Theatre Company
in Los Angeles, CA, on 2 June 2018
In addition, the following must appear within all programs distributed in connection with performances of the Play:
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypublishing.com
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