Cover art by Lar DeSouza

The Comedy of Hamlet! (a prequel)

Reed Martin and Austin Tichenor

Price range: $15.00 through $50.00

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PERFORMANCE RIGHTS

Note

This is the February 2026 revised edition of the play.

Recordings consist of 5 WAV backing tracks for production: three "Hamleton" backbeats (two in Act One and one near the end of Act Two); a musical underscore for the reprise of “In Summary” (sung by Hamlet and the Nuns at the end); and a reprise of “In Summary” that may be used for a curtain call.

Description

Nothing is rotten in the state of Denmark as young Hamlet leaps into action to save the nunnery with Ophelia and Yorick the jester! What could possibly go wrong? This hysterical prequel answers all the important questions, like: Why can’t Ophelia take swim lessons? Where the hell is Mrs Polonius? And why does Hamlet’s mother spend so much time at his uncle’s house? What will young Hamlet grow up To Be? That is the question! A fast, funny, and physical extravaganza filled with scary ghosts, wee Scots, singing nuns, and a mysterious vassal in the castle!

Production Info

Cast: 3 total (3 male, as written; gender-diverse and/or expanded casts)
Full Length Comedy (about 100 minutes)
Minimal Set Requirements
Period Costumes
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Reviews

Press Quotes

“Austin Tichenor and Reed Martin have written one whopper of a play. THE COMEDY OF HAMLET! (a prequel) is part satire, part musical, part knee-slapping, guffaw-inducing, completely silly romp through the glorious closet of William Shakespeare’s posthumous id. [It’s] a mashup of all the jokes a Shakespearean actor has had in his head after years of studying the plays, made into a hilarious, hammy two-hour, rendition of Hamlet’s supposed beginnings. It’s a love letter to one of Shakespeare’s most challenging and complicated plays, and also a meditation on the acting profession — its slings and arrows and outrageous fortunes. And, it rhymes! In this play, Hamlet is beseeched by his father the King to go out and find himself. Being a king, apparently, is a bore, what with all the committee meetings and the members of the court jockeying for power. It’s not the life he wants for his son. He thinks that Hamlet should go into acting, giving the playwrights a fertile basis on which to critique the profession. Somewhere, some actor on his deathbed, said, ‘Dying is easy. Comedy is hard.’ If comedy is hard, pulling off this play is like getting one’s PhD in astrophysics. Only funnier.” —⁠John Henry Martin, Napa Valley Register

About the Author

Author

  • Reed Martin

    Reed Martin is best-known for his work as a Writer/Performer/Director/Producer with the Reduced Shakespeare Company with whom he has toured the world since 1989 and co-created eleven stage shows. He has performed in forty-seven states and eleven countries, including shows at The White House, Madison Square Garden, London's West End, The Lincoln Center, and The Kennedy Center. He has written for the BBC, TBS, National Public Radio, Britain's Channel Four, RTE Ireland, Public Radio International, The Washington Post and Vogue magazine. Reed's work has been nominated for an Olivier Award in London, a Helen Hayes Award in Washington, DC, and a San Francisco Bay Area Theatre Critic's Circle Award. Along with his RSC partner Austin Tichenor, Reed was awarded the 2025 Berger Award by the international Shakespeare Theatre Association in recognition of outstanding talent and dedication to the works of William Shakespeare. He lives in Northern California with his wife, who is much funnier than he is.

  • Austin Tichenor

    "A man of letters in the theatre" (Peter Marks, Washington Post), Austin Tichenor's "intellectual vaudevilles" (Stephen Holden, New York Times) have been produced Off-Broadway, in London’s West End, at the Kennedy Center, Lincoln Center, and in theaters across America and around the world, including American Repertory Theatre, Pittsburgh Public Theater, Seattle Rep, Cincinnati Playhouse in the Park, Utah Shakespeare Festival, Atlanta Shakespeare Company, San Francisco's Marines Memorial Theater, Princeton’s McCarter Theatre, Bath Theater Royal, Gielgud Theatre, Criterion Theatre, Jerusalem Theatre, Montreal's Just For Laughs Festival, and the Edinburgh Festival Fringe, to name a few. He's the co-artistic director of the Reduced Shakespeare Company, for whom he's co-written ten stage comedies (all published and licensed by Broadway Play Publishing), the short film The Ring Reduced (for UK's Channel 4), a 6-part BBC World Service radio series, two TV pilots and several unproduced others, and the illustrated children's book Pop-Up Shakespeare. An alum of the BMI Musical Theatre Workshop, Austin's also written over 25 plays and musicals for young audiences, two published adaptations (FRANKENSTEIN and DANCING ON THE CEILING), and stage versions of Jasper Fforde's novel The Eyre Affair and Christopher Moore's New York Times bestseller Fool; co-created the illustrated children's book Daisy The Littlest Zombie; worked in story development for Disney Feature Animation; and is a monthly contributor to the Folger Shakespeare Library's culture blog "Shakespeare & Beyond." Austin is also an actor, director, and the producer and host of the Reduced Shakespeare Company Podcast, the world's longest-running (since 2006!) theater podcast. His script THE BIBLE: THE COMPLETE WORD OF GOD (abridged) received a Helen Hayes Award nomination for Best New Play, and you can find him on the socials or his website TheShakespeareance.com.

About the Book

Book Information

Publisher BPPI
Publication Date 11/28/2023
Pages 90
ISBN 9780881459883

Special Notes

Special Notes

Licensees are required to include the original stage producers credits in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
The following must appear within all programs distributed in connection with performances of the Play:
The Comedy of Hamlet! (a prequel) is produced
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypublishing.com

Productions

Upcoming and Recent Productions

Nonprofessional


3/20/2026 – 4/12/2026
Diablo Valley College
Pleasant Hill, CA

10/3/2025 – 10/12/2025
Santa Rosa Junior College
Santa Rosa, CA

11/14/2024 – 11/16/2024
Rutgers Preparatory School
Somerset, NJ

5/10/2024 – 5/11/2024
Poland Regional High School
Poland, ME