Press Quotes
“As today’s population engages deeper and deeper with AI and technology, Jenny Ledel goes one step further … [YOUR WIFE’S DEAD BODY] offers up the idea of AI as a beneficial tool that fuses sentimentality, health and perhaps a question of ethics, albeit with good intentions … Jane, who has been diagnosed with cancer … stands alone on the pristine white stage interviewed by an unseen voice giving her both instructions for a variety of physical acts and an array of questions to gain insight to Jane. Ledel’s story shifts gears when … Jackson, Jane’s husband, [enters] … His explosive entry is a revealing one as the character is taken aback by seeing his wife. Only this time it’s, let’s say Jane 2.0. It’s here we learn that Jane has passed but her body has been claimed by a replicant version ordered from The Lazarus Project. The story unfolds in parallels where Ledel gives both Janes — the original amidst her increasingly frustrating interview process and 2.0’s good-hearted but clunky interactions in the real world with her husband and at times, his friend Dan … [The play is] provocative while also tender, but moreso, it felt like a thinkpiece set to the stage. This wasn’t a love story per se, but Ledel [gives us] us a complicated muse on keeping love alive and the implications.” —Rich Lopez, The Dallas Voice
“Gripping … [The play is] a case study in what makes us human and how hard it is to pin down.” —Manuel Mendoza, The Dallas Morning News
“[A] chilling, sharp, and mesmerizing drama.” —Arnold Wayne Jones, Sharp Critic





