Goodnight Children Everywhere

Richard Nelson
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PERFORMANCE RIGHTS

Description

Set against the chaotic aftermath of World War II, this play intimately explores the fragility of family relationships. In 1945, five years after being evacuated to Canada, 17-year-old Peter returns to London. His parents are now dead, and his three older sisters await his arrival.

Production Info

Cast: 7 total (4 female, 3 male)
Full Length Drama (about 100 minutes)
Single Set
Contemporary Costumes
Category: Tag:
Reviews

Press Quotes

“The faces of the young characters in GOODNIGHT CHILDREN EVERYWHERE,’ the intense, thoughtful and unsettling new play by Richard Nelson at the Wilder Theater, seem at moments to be made less of flesh than of water, so fluid and changeable are their expressions. A smile registers hope and frightened bewilderment in a single instant; a giggle dissolves into a sob and then turns back into a giggle; the gentle teasing of a brother and sister suddenly shifts into harsh eroticism. The known rules and roles of family relationships no longer apply in the uncertain postwar world of Mr. Nelson’s play. And the four siblings who are reunited at the London home of their dead parents in 1945, after five years apart, find themselves thrust into premature adulthood with only the haziest notions of how to deal with one another or to reconfigure themselves as a clan. The beauty of this hauntingly acted work, which opened last night at Playwrights Horizons under its author’s direction, is its ability to register continuing flux and disorientation with precision and clarity. From its opening moments, in which three sisters await the arrival of their long-absent brother in a radiant state of confusion and anticipation, GOODNIGHT CHILDREN EVERYWHERE skillfully keeps its characters and its audience from ever feeling entirely settled.” —Ben Brantley, The New York Times

About the Author

Author

  • Richard Nelson

    Richard Nelson's plays include the four-play series, THE APPLE FAMILY (THAT HOPEY CHANGEY THING, SWEET AND SAD, SORRY, REGULAR SINGING (Nominated for Outstanding Play in Drama Desk Awards 2014; Public Theater, 2010 – 2013), NIKOLAI AND THE OTHERS (Lincoln Center Theater, 2013), FAREWELL TO THE THEATRE (Hampstead Theatre, 2012), HOW SHAKESPEARE WON THE WEST, (Huntington Theater, 2008), CONVERSATIONS AT TUSCULUM (Public Theater, 2008), FRANK'S HOME (Goodman Chicago, Playwrights Horizons, 2007), RODNEY'S WIFE (Playwrights Horizons, 2004), WHERE I COME FROM (National Theatre Connections), MADAME MELVILLE (which ran in the West End starring Macaulay Culkin and Irene Jacob and opened in May 2001 Off-Broadway); GOODNIGHT CHILDREN EVERYWHERE (winner of Olivier Award for Best New Play, 2000), KENNETH'S FIRST PLAY (with Colin Chambers, RSC), THE GENERAL FROM AMERICA (at the RSC and the Lucille Lortel Theatre, New York), NEW ENGLAND (RSC and Manhattan Theater Club), MISHA'S PARTY (with Alexander Gelman, RSC and Williamstown Theater Festival), TWO SHAKESPEAREAN ACTORS (Tony nomination for Best Play, RSC and Broadway), COLUMBUS AND THE DISCOVERY OF JAPAN (RSC Barbican), SOME AMERICANS ABROAD (Olivier nomination, Best Comedy; RSC, Lincoln Center and Broadway), LEFT, BETWEEN EAST AND WEST (Hampstead), PRINCIPIA SCRIPTORAE (winner of Time Out Award, RSC and Manhattan Theater Club), THE RETURN OF PINOCCHIO, AN AMERICAN COMEDY, BAL, CONJURING AN EVENT, RIP VAN WINKLE, JUNGLE COUP, THE KILLING OF YABLONSKI, THE VIENNA NOTES (Obie Award). His musicals include JAMES JOYCE'S THE DEAD (starring Christopher Walken and Blair Brown; Playwrights Horizons, Belasco Theatre, Broadway, Ahmanson Theatre, Los Angeles, Kennedy Center, Washington; for which he received a Tony Award in 2000 for Best Musical Book), CHESS (the book for the Broadway musical), PARADISE FOUND (dir: Harold Prince and Susan Strohman), MY LIFE WITH ALBERTINE (with Ricky Ian Gordon; Playwrights Horizons), UNFINISHED PIECE FOR A PLAYER PIANO (with Peter Golub). His translations and adaptations include TYNAN starring Corin Redgrave (with Colin Chambers, RSC and West End), LOLITA with Brian Cox (National), Molnar's THE GUARDSMAN (Kennedy Center), Carriere's THE CONTROVERSY (Public Theater), Fo's ACCIDENTAL DEATH OF AN ANARCHIST (Broadway), Strindberg's THE FATHER with Frank Langella (Broadway) and MISS JULIE (Yale Rep), Beaumarchais' THE MARRIAGE OF FIGARO (the Guthrie and Broadway); Molière's DON JUAN, Ibsen's WILD DUCK and ENEMY OF THE PEOPLE, Pirandello's ENRICO IV, Goldoni's IL CAMPIELLO, Erdmann's THE SUICIDE. With the esteemed translators Richard Pevear and Larissa Volokhonsky, he was co-translated Chekhov's THE CHERRY ORCHARD, Gogol's THE INSPECTOR, Turgenev's A MONTH IN THE COUNTRY and Bulgakov's DON QUIXOTE. Films: Hyde Park on Hudson, staring Bill Murray and Laura Linney (Dir: Roger Michell), Ethan Frome, starring Liam Neeson (Dir: John Madden); Sensibility and Sense, staring Elaine Stritch and Jean Simmons (Dir: David Jones). Television: The End of a Sentence with Edward Herrmann (Dir: David Jones). Radio Plays include: HYDE PARK ON HUDSON, LANGUAGES SPOKEN HERE (Giles Cooper Award), EATING WORDS (Giles Cooper Award), ADVICE TO EASTERN EUROPE, AN AMERICAN WIFE (all BBC).

About the Book

Book Information

Publisher BPPI
Publication Date 7/17/2019
Pages 92
ISBN 9780881458480

Special Notes

Special Notes

Licensees are required to include the original stage producers credits in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
The following must appear within all programs distributed in connection with performances of the Play:
Goodnight Children Everywhere is produced
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypublishing.com