Author - Michael Q Fellmeth, Executive Director

Author and Master Translator Eric Bentley Has Passed

Author, master translator, and longtime friend of Broadway Play Publishing, Eric Bentley has passed away at the age of 103. Eric remained exceptionally sharp, spirited, and congenial to the end, frequently firing off emails to us from the iPad he learned to use to check on this or that production of an original play or translation or to convey that a producer had expressed interest in one of his titles, and we should follow up! In 2017, as we worked closely with him to republish his definitive English translation of Eduardo De Filippo's classic Italian romantic comedy FILUMENA MARTURANO, sometimes he had to remind us that he was 100 years old, which he had a funny way of doing with just a hint of pride, a dollop of amusement, and some genuine astonishment. His was a storied career in the theater, and the New York Times obituary below offers a fine summary of it. Visit Eric's author page for a list of his works that we've published, and if you express any interest in producing any of his titles — Eric, don't worry, we'll follow up! … And we'll miss you. —Michael Q Fellmeth & Christopher W D Gould Eric Bentley, Critic Who Preferred Brecht to Broadway, Dies at 103 — The New York Times
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Naomi Wallace’s Theatre Of The Plague: More Riveting And Relevant Than Ever

Naomi Wallace’s Theatre Of The Plague: More Riveting And Relevant Than Ever by Giovanni Rodriguez

Exactly five weeks ago and one day, I posted the following on Facebook: “Now would be a good time to restage ONE FLEA SPARE.” I did this with three objectives in mind. First, I wanted to see what some of my theater friends thought about the story, which I believe is more relevant today than ever. The award-winning 1995 play was set in 1665, the first year of the great plague of London, and told the story of four people quarantined together for a month… Read the rest of the piece on Forbes.
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This Thing of Darkness: Caliban and the Creature from Frankenstein – Shakespeare & Beyond

With Halloween on its way, Austin Tichenor, author of the play FRANKENSTEIN, explores parallels between Caliban from The Tempest and the Creature from Shelley's Frankenstein. for the Folger Shakespeare Library. [rule style="rule-thin" ] As the days get shorter and witching hour approaches, one’s thoughts turn away from present-day horrors and towards famous fictional ones. At least mine do. One of the enduring confusions of Mary Shelley’s Frankenstein is that “Frankenstein” is not the name of the Creature, brought to life on a laboratory table, but the name of his creator, the “natural philosopher” who became “capable of bestowing animation upon lifeless matter.” It’s an understandable mistake, as there’s definitely a chicken-and-egg question about the two characters: Which came first, the Creature, who’s considered a monster, or his creator, Victor Frankenstein, who treated him monstrously? Or, to ask it another way, are monsters born—or made? Continue reading: This Thing of Darkness: Caliban and the Creature from Frankenstein - Shakespeare & Beyond
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